The chorus kinda reminds me of the Smithereens and is very hooky but the verses are trippy as hell." "Another one of my favourites - it's kinda spaced-out. This our signature fucking retarded sound or whatever!" The other songs you might be kinda quizzed to guess who the fuck you're listening too right off the top of your head. But it is the one song you'd hear and say 'oh yeah dude - that's the Foo Fighters'. "This is our one up-tempo punk pop song on the record - the rest of them aren't like that. It's like NoMeansNo meets The Police or something like that." It also reminds me Of 'My Poor Brain' from our second record - but it's fucking way beyond that." "The groove reminds me of Tom Petty, the middle section reminds me of Cheap Trick, the chorus kinda reminds me of Guided By Voices with the is melodic kinda walking-down-the-street rhythm. It's kinda our second really weird Sergeant Peppers heavy metal kinda song - really bizarre but really hooky and then it gets huge at the end and I'm screaming my fucking balls off." "It kinda has a mid-tempo beat to it with muted chunky chords but the vocal melody is really strange. "Ahh - this is one of the more romantic tunes - but with a tuned-down guitar riff that's really behind the beat it's also probably another of the heaviest songs we've ever recorded although the song itself is basically a love song." It sounds like a string section - but he did it with a guitar and it's fucking amazing." He's the only guest appearance on the record but you wouldn't even have to put his fucking name on the album because someone would hear that song and be like 'oh my god - that sounds like Queen'. "This is a really sparse one guitar and one vocal song - but then in the chorus (Queen's) Brian May over-dubbed these four-part guitar harmony swells - it's fucking insane. I think actually that this is the best song I've ever written - it's very emotive and passionate and universal." "This is sort of a mid-tempo number with a really weird chording that's kinda reminiscent of Mission Of Burma or Television or kind of a jangly post-punk New York new wave theme guitar line. The end starts exploding until it's so fucking chaotic and then it just stops on a dime." "This is basically just a song with a cool uptempo groove and the chorus blows up into these really big and sweeping three part harmonies and the end is the most fucking rock thing we could possibly figure out. Some of it reminds me of older Soundgarden and some of it reminds me of weird Black Flag. The lyrics are kinda sultry - it's about two people getting together because they realise they have more fun fucking each other than anyone else - it's kinda deep. It sounds like a machine roaring - it's pretty amazing. It begins with a vocal and a guitar then it explodes and gets even bigger and just keeps on going and going. "It's one of the most aggressive songs we've ever written - it's kinda dark and dissonant but really in your face.
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